Popular
- 1Graeme Ramage SingsSea shanty with a driving 98 BPM stomp-clap groove, rough unison male lead and group-harmony choruses; verses roll on acoustic guitar, frame drum, concertina, and fiddle double-stops, while choruses widen into shouted cadences and tavern-style response lines. Bridge drops to voice and stomp only, then final chorus returns with fuller harmonies, handclaps, and short delay throws on the name. Bright, salty, pub-room mix with a live, rowdy edge., acoustic, harmony, shanty2:39
- 2Withheld Number90s melodic pop-punk with late-90s live-band crunch, fast downstroke guitars, bratty power-chord hooks, singalong chorus energy, male mid-tenor lead with sneering nasal bite, half-shouted melodic verses, stacked gang-doubled refrains, dual distorted rhythm guitars with bright palm-mute attack, pick-driven bass, sharp cymbal lifts, tape-stop hits, and a final chorus that surges wider and louder., punk, pop, bright, electric3:04
- 3Graeme Ramage SingsSea shanty with a driving 98 BPM stomp-clap groove, rough unison male lead and group-harmony choruses; verses roll on acoustic guitar, frame drum, concertina, and fiddle double-stops, while choruses widen into shouted cadences and tavern-style response lines. Bridge drops to voice and stomp only, then final chorus returns with fuller harmonies, handclaps, and short delay throws on the name. Bright, salty, pub-room mix with a live, rowdy edge., acoustic, harmony, shanty2:44
- 4Graeme Ramage TideSea shanty with male baritone lead, rough crew unison responses, strong call-and-response phrasing and shouted pick-up lines; 104 BPM in a stomping, swaying 6/8 feel with accordion, fiddle, concertina, acoustic guitar, handclaps, boot-stomp percussion, and optional tin whistle accents. Verse rides sparse guitar and stomp; pre-chorus tightens with claps and accordion push; chorus hits with crew chants and fiddle hooks. Close-mic lead, nasal folk edge, gang shouts on the hook, bright and buoyant mix, strong, shanty, acoustic, folk, accordion3:07